Vittoria Di Stefano’s research centres on material investigation as a method for examining notions of liminality - or transformative in-betweenness - in sculptural practice. She employs temporal, marginal and contingent processes to investigate a range of mutable materials as a means to explore the alchemical and transformational properties of the sculptural object.

As well as traditional sculptural materials she employs gendered substances associated with the transformation of the body such as salon waxes, soap and lipstick, transgressing their use value to disrupt approaches to making and viewing. She considers the forces of attraction and repulsion through the inclusion of magnets in her work, and investigates the possibilities of growth and decay through the inclusion of crystals, metals and industrial waste. This choice of materials reflects an interest in the collapsing of binary considerations and a desire to explore the relationship between form and formlessness. In the studio this investigation takes place through a dialogical and cyclical process of desire, discovery, conflict and consequence.

Di Stefano has taken part in solo and group exhibitions nationally and is currently undertaking a PhD at RMIT University, where she also lectures in Art History & Theory and Spatial Practice.